A journey of one's soul interpreted musically through intense instrumental pieces and thought provoking singer-songwriter style songs. Features finger style and two handed tap guitar. "Easier Said Than Done", track 11, went to #1 on the indie music charts

"Krista Parrish has an infectious sound that blends elements of 70's art rock with superb modern tap guitar. She is a Must-See!" Glenn Barratt, Morning Star Studios

"Comparisons to Kaki King and Leo Kottke come to mind when I listened to her playing, but her singing is in a league of it’s own. Their song, “Easier Said Than Done”, was number one on the indie charts. Her band mates, Mike Fazekas on drums and Steve Murphy on bass, are the perfect compliment to her." Tri State Indie 2010

When The Day Is Done With Me, track 5 off the 2010 release, "Playing With Pendulums" "This song is a sparkling diamond that glistens ever so brightly,it is a shining wonder indeed. Krista has captured the essence of pure songwriting here on "When the Day is done with me", just sheer genius in both lyrical and musical content, a gem. Krista's vocals are rich and the music is textured with splashes of amazing colors, Her delivery is wonderful and the Trio really lays down an excellent track for sure. should be on radio, I mean real radio,loved the listen." Bryon Tosoff, Voodoohead Productions

SKYWATCHING, track 3 off the 2010 release, "PLAYING WITH PENDULUMS" "This song is like, sky high aural joy" Pure Joy Radio

PLAYING WITH PENDULUMS: TITLE TRACK "Nothing on my mind, nowhere to go and no one to see ... a perfect chance to put my feet up for another long night and spend it with me. Alone here in my sanctuary with my little radio on listening to this ever so tranquil, reflective, soothing and timeless 'let the world go by' quintessential instrumental, memories and distant thoughts cascade endlessly through my mind like mist drifting lazily across a valley floor ... beautiful music, consummate arrangement, talented and accomplished musicians." Radio Times

"Her set is characterized by intricate, ethereal instrumental pieces that ebb and flow with sophisticated chord changes and virtuosic runs. She regularly pushes the sonic boundaries of her acoustic guitar, rapping the side of it like a drum or fretting notes with both hands, rather than strumming it, to create passionate flourishes of sound." Jack Firneno, D-Town Magazine